Solo Exhibition – TRUCK Contemporary Art

Exhibition: May 27 – July 2, 2022
Gallery: TRUCK Contemporary Art
Address: 2009 10 Ave SW, Calgary, AB, T3C 0K4
Opening Reception:May 27, 2022 – 6 PM to 10 PM (M:ST)
Gallery Hours: Wednesday to Saturday – 1 PM to 6 PM (M:ST)
Artist Talk: June 3, 2022

Featuring virtual reality (VR), augmented reality (AR), 3D-printed sculptures, video, and performance photographs, At the Edge of Two Worlds explores new digital possibilities for bridging gaps between memories and experiences, whilst mediating culture and identity through the lens of gender and diaspora. It speaks to the ways in which gender is explored, lost, created and re-created, and how digital diasporic experiences have shaped the notion of home and self with the rise of digitalization and globalization. In the space of digital experimentation and representation, Dong blurs the boundaries of two worlds: here and there, actual and virtual, culture and nature, human and animal. Futures are envisioned, which dissolve binaries and borders, creating a new social relation that sustains different ways of living and diverse beings as an act of survival.

For more info about this exhibition, please visit TRUCK Contemporary Art’s website

 

 


Group Exhibition – Doris McCarthy Gallery

Exhibition: May 5 – June 25, 2022
Gallery: Doris McCarthy Gallery
University of Toronto Scarborough
1265 Military Trail
Toronto, ON, M1C 1A4

Now You See Me is an exhibition that brings together artists who consider the power dynamics of image-making through their distinct practices. Dayna Danger, Chun Hua Catherine Dong, Gaëlle Elma, Leila Fatemi, Kablusiak, Meryl McMaster, and Vivek Shraya variously identify as women, femme, and non-binary, and use photography to explore issues related to gender and cultural identity.

Employing tactics of performing, concealing, and revealing their bodies and those of their collaborators, the artists produce works that challenge normative, colonial assumptions. They address pressing political realities that are closely tied to their personal histories, and reveal paradoxes inherent in representations of racialized bodies. Although the works in the exhibition are generated from different perspectives and experiences, they share a reckoning with the historical and contemporary uses of the camera as a tool to perpetuate degradative narratives. Asserting themselves as directors of their own images, the artists pose questions about the complex cultural and gender-related politics that underlie self-representation, shifting perceptions of the politics that inform image-making with sharp critique and blatant defiance, while kicking the door open for new stories and conversations.

‘Now You See Me’ is curated by Sandy Saad-Smith and is a Core Exhibition in the 2022 CONTACT Photography Festival

For more information, see https://dorismccarthygallery.utoronto.ca/…/now-you-see-me