I am pleased to announce that I will be performing a new durations piece, ” Lost Islands,” at Experimental Action in Houston on Feb 23, 2017 at 8:00pm
Experimental Action is a biennial, three day, innovative International performance art festival. The festival features a collection of groundbreaking International and non local performance artists along with Houston-based performance artists. Each of the three nights is hosted at a different Houston venue and consists of a series of engaging, participatory and experimental Performance Art works. Incoming performance artists speak at area universities and lead workshops during the days. We host a symposium featuring a panel discussion, created with the intention to process experiences from the festival and to facilitate critical dialogue about the work presented.
My work, ” Husbands and I,” will be exhibited at La Biennale de Quebec in Feb 17 – May 14, 2017
Exhibition Date: Feb 17 – May 14, 2017
Opening: Feb 19 at 3:00pm
Address: 2 rue Cremazie Est, Quebec, CA
Husbands and I is a social performance wherein I navigate my own relationship to Western culture through one-minute and one-day relationships with white men. I started the “Husbands and I” performance in 2009 in Vancouver, where I wore a traditional Chinese dress and asked white males on streets to have photo taken with me by suggesting them to be my husbands for a minute. I have had photos with 325 men. In 2010, I posted classified advertisements describing myself as “an exotic, compliant and artistic Asian girl looking for a white husband who would like to take me to his home to live with him for a day as his mail order bride,” and recorded videos of my experiences living for one day with each ad respondent.
My group exhibition will be held at Gallery Gachet in Vancouver Jan 13th – Mar 12th, 2017
Exhibition Date: Jan 13th – Mar 12, 2017
Opening: Jan 13th 6:00pm-9:00pm
Address: 88 east Cordova Street Vancouver BC
What Remains is comprised of the work of four artists who contend with conditions of identity through unique and varied means. This multimedia exhibition incorporates dialogical performance highlighting resistance to a gendering and racializing gaze formed on Eurocentric constructions of identity politics. Sincere, experiential, embodied works from the following artists will be featured: Afuwa, Chun Hua Catherine Dong, Marbella Anne Carlos and Jordan Martin.
The artists’ performances relate to moments of their lived experience as they consider what remains after the performance —placeholders for future engagements with a gallery audience. The residue of performance includes video, photography, physical objects and other remnants —elements that can only linger as memory. This exhibition will focus on the importance of performance as process that decenters value constructs placed upon the art object. In this case, these processes are not concerned with success tied to a commercial market of production. The work presented is a culmination of the everyday experiences generously shared by the artists, held and supported by the gallery.
My performance, ” The Arrival,” will be performed at 7a*11d International Festival of Performance Art, Toronto, Canada
Performance: The Arrival
Time:7:30 pm, October 14, 2016
Location: Geary Lane , 360 Geary Avenue, Toronto
“The Arrival” is a participatory research-based performance that examines identity, place, and belonging through languages and gestures. This performance starts from field research where I ask random people I meet on streets to say, “ Where are you from?” with different tones and emotions, I record their voices. I also invite people who I cannot meet in person to participate by asking them to record their own voices of saying“ Where are you from?” and send them to me. The final project will be presented at 7a*11d International Festival of Performance Art in Toronto where I use the recorded voices, salt, and paper boats to respond my research.
My performance, ” To Begin,” will be performed at Latitude 53, Edmonton, Canada, as part of the 17th Visualeyez Festival of Performance Art.
Performance: To Begin
Time: 8:30 pm-11:30pm, September 23, 2016
Location: Latitude 53 Contemporary Visual Culture
10242 – 106 Street Edmonton,
Alberta T5J 1H7 CANADA
“To Begin” investigates social transformation through repetition and labor. In this work, the stack of books is the burden of both history and unsustainable civilization. In our current social climate, collapse seems inevitable. This performance demonstrates that the process of social transformation can be slow, but changes can happen anytime and anywhere. It examines how the collapse of power structures shift social dynamics, and how this inevitable collapse influences our daily existence and creates new beginning.
I will be performing at The 5th Miami Performance International Festival
Performance: Where are We going
Time: 9:40 pm-10:00pm, 2016
location: Edge Zones, Miami 3317 NW 7th Cir, FL 33127, MIAMI, FL 33127
Where are We going explores relationship between humans and animals, suffering and loss through symbolic and metaphoric gestures. While humans are regarded as the cultural animals, animals are often seen as another kind of people: the other, the animal other. This work expresses longing for re-connection from both humans and animals, striving to find a harmonious relationship through an animistic worldview. It reflects on our colonial roots of the wildlife and nature, questioning how wildlife and nature have been through from a symbol of a divine power in ancient time to a commodity for sale in nowadays. Through retracing our culture’s engagements with animals, I hope to expand horizons in order to better understand our roots and consequences of marginalizing our animals and nature.
I will be making two new performances, ” To Begin” and ” Set me on my High Places” at Thomas Young Gallery as part of a month long performance, Better than the Alternative
To Begin:
May 7, 2016 19:00pm -22:00pm
” To Begin” investigates social transformation through repetition and labour. Time in this work does not exist. the outward absurdity of hints at the futility of mechanized and receptive labour, while also exploring whether meaning can be made simply through a commitment to repetition. It examines how the collapse of power structures shift social dynamics, and how this inevitable collapse influences our daily existence and create new beginning.
Set me on my High Spaces:
May 14, 2016 12:00pm-16:00pm
“Set me on My High Places” explores relationship between humans and animals, suffering and loss through symbolic and metaphoric gestures. While humans are regarded as the cultural animals, animals are often seen as another kind of people: the other, the animal other. This work expresses longing for re-connection from both humans and animals, striving to find a harmonious relationship through an animistic worldview. It reflects on our colonial roots of the wildlife and nature, questioning how wildlife and nature have been through from a symbol of a divine power in ancient time to a commodity for sale in nowadays. Through retracing our culture’s engagements with animals, I hope to expand horizons in order to better understand our roots and consequences of marginalizing our animals and nature.
